Armin Shimerman
Armin Shimerman has dabbled in diverse arenas. Most people
are familiar with his portrayals of Quark on Star Trek: Deep Space 9,
Principal Snyder on Buffy the Vampire Slayer,
or an assortment of judges and anal retentive beaurocrats. He's played over
Sixty different characters on television and had major recurring roles as Pascal
in Beauty and the Beast,
Cousin Bernie in Brooklyn Bridge,
Tommy Walker on the Invisible Man
(for which he won a Roswell award), and Edmund Graves on David E. Kelley's
Girls Club."
Immediately after graduation from UCLA
with a degree in English, he apprenticed at the prestigious San Diego Old Globe
Shakespeare Theatre and eventually took over the lead comic roles. Immediately
afterward, he emigrated to New York where whithin a year he was performing for
Joseph Papp in the Highly acclaimed production of 3 Penny Opera. He went on to
work many years on Broadway in St. Joan with Lynn Redgrave at the Cirlcle
in the Square, Broadway with Teri Garr and Glen Close, and finally
Richard Rogers' last musical I Remember Mama.
Years of work in Regional Theater followed including Stage
West, Connecticut Shakespeare Festival, Vermont Champlain
Shakespeare Festival, Indiana Repertory,
Rutgers' Mason Gross Theater,
Los Angeles Mark Taper Forum, Los Angeles Theatre Center, Tyrone Gurthrie Theater
and Seattle's ACT.
His last stage endevor in Pinter's Birthday Party was
nominated for best lead performance by the prestigious Los Angeles
Drama Critics Circle. Currently, he's singing and dancing and
brushing up his Shakespare in Standup Shakespeare.
In addition, he has co-wrote Sci-Fi novels for Pocket Books:
The 34th Rule,
The Merchant Prince
Outrageous Fortune.
he is currently penning a Tudor mystery, The Toad-eater. This is in
conjunction with years of teaching Elizabethan Rhetoric.
Recently Armin completed six years of service as a national officer of the Screen Actors Guild
where among other things he negotiated the current TV/Film contract.
"To us Mt. Hood Repertory Theatre is Tobias Andersen.
he is the soul and quickening spirit of the Theatre. That being said, it is his
blend of commitment to community, to American Theatre, to audience satistfaction,
and to "getting it right" that resonates there. Regional theatres like Mt. Hood
bring audiences unable to trek to the big cities the opportunity to experience the
best in dramatic literature and local excellence in the arts. For actors, like us,
you experience, as we did in Gresham, an audience that is eager to participate
and is more and more knowledgeable about good theatre."